A beautiful angel who a gentle spirit, she sings on the wings of a spirit love, her eternal stage, a sweet Paris, France ampitheatre. Though at once she stays during the animated version of a French love story, and her spirit langered, she did see the light. – “Everybody needs somebody,” coaxes her theater mother. But perhaps the enamored boy drops a crate of dust at a concerge of the doorway of the concert hall, ‘Avis La Population. La Gazette announces a monster loose on the streets of Paris. The details of the handwound cinema show, the movement of the moment. The lady, whose beautiful deflore waivers between an attractive feminine shower, which while weak, the real monster she met knew first of his love for her behind a cinema stage. The collaborative work of Emile Petite, and the more than ‘led actualities’ of a !an who carries tres and no bien during the fin of the great flood of Paris, a real life Sean Lennon (son of John Lennon), and more than the voice, the lead female didactic of the sophisticated cartoon made French, English and a Cannes Film Festival delight of several languages, an event which ushers in a gentle romance between a boy and girl destined to meet. The film begins with the perfect exfoliation of an impatient, unforgiving, egotistic, he delivery man apprentice who becomes at once smitten sullen at the sight of her. Both success and money doth he swindle through her now, the motif for the purpose of the film critique, even a sedimentary level first feminist wave leaves one to define the animated work of art, a more than foremost future slotted classic, representative on a larger scale of any opportunists. Other facets of the psychological motives of the film, all cultural basis for the critique of the deep depth of the obvious award winner here, the often weak and vague attempt of earth to bring hurt and harm to sheep whose heart and hearth hungers for a nurture of simple grain.As the film clearly represents, some people do not care who they albeit impatiently take advantage of, for a different situation for the second level of all psychology of discernment made water clear, the play-like film puts a lovely singer whom turned actress also falls in love to a somber degree of qualifying commitment with the monster who controls the rest of the faction of the town. Though his powers seem so much more weaker than hers, at second glance, the other side of her human boy courtier, appears as the polar side of a much duller diamond, a situation the boyfriend would-be rescue artist of the female actress makes a workable solution more confused than ever. Also artistically representational here in nature, besides the musical like tendency of the opera schemata of the cartoon drama, both the story plot and theme point out a direct necessity for a loving mending which did make a large difference concerning the climax of human foible which for this film gratefully backtracked and rewrote a better realism, despite the fantasial aspect. The female star of the feature made not one tresspasse however, her perfect beat defied the beast. She ended up therefore transposed more on the side of a perfect soliel of ever faithful love. That selfsame technique of film feat then next worked not as slight of hand. But for the greater purpose of the definition of the female star of the shining diamond of her story. Her character works past all scenario of mere infatuation, and as she becomes a beloved trophy herself, lives on to conquer the mere intertwine of a taped trump card.